The present study investigated the spatial scanning patterns of computer monitor across game
expertise. To this goal, we compared the scanning pattern of two groups: novice gamer group who
has little experience of game playing and heavy game user group who played MMORPG at least
for 3 years. Participants executed an icon-like detection task consisting of 25 squares on the full
screen. We measured their response times (RTs) for each cell and compared them. The scanning
patterns were largely different between the two groups. The novice group scanned monitor in order
of the center, left, upper, lower, and right side of monitor. Where as, the heavy game user group
scanned it in order of the center, upper, left, right and lower side. The difference between two
group indicates that game playing modify perceptually the scanning pattern of monitor and we
need to design the graphical user interface of game more in favor of novice perceptual scanning
pattern to lower entry barriers of game.

The present study investigated the spatial scanning patterns of computer monitor across game
expertise. To this goal, we compared the scanning pattern of two groups: novice gamer group who
has little experience of game playing and heavy game user group who played MMORPG at least
for 3 years. Participants executed an icon-like detection task consisting of 25 squares on the full
screen. We measured their response times (RTs) for each cell and compared them. The scanning
patterns were largely different between the two groups. The novice group scanned monitor in order
of the center, left, upper, lower, and right side of monitor. Where as, the heavy game user group
scanned it in order of the center, upper, left, right and lower side. The difference between two
group indicates that game playing modify perceptually the scanning pattern of monitor and we
need to design the graphical user interface of game more in favor of novice perceptual scanning
pattern to lower entry barriers of game.

In recent years, the interactive systems with large display have been on the rise, and research on
these systems is increasing. While prior research has explored various interaction techniques and
input devices developed for large display, it focused on interaction devices used at specific
distancesthe display. This research introduces a multi-scale user interaction approach that
utilizes a multi-touch screen, freehand gestures and mobile interfaces to help users seamlessly
interact with the interactive system regardless of their distancethe display. An experiment
was conducted to evaluate how users adopted the multi-scale user interaction to more effectively
perform various user interaction tasks. The result showed that the multi-scale user interaction
helped users improve their overall task performance. It also found that users tended to utilize
different multi-scale user interfaces to complete different kinds of tasks.

In recent years, the interactive systems with large display have been on the rise, and research on
these systems is increasing. While prior research has explored various interaction techniques and
input devices developed for large display, it focused on interaction devices used at specific
distancesthe display. This research introduces a multi-scale user interaction approach that
utilizes a multi-touch screen, freehand gestures and mobile interfaces to help users seamlessly
interact with the interactive system regardless of their distancethe display. An experiment
was conducted to evaluate how users adopted the multi-scale user interaction to more effectively
perform various user interaction tasks. The result showed that the multi-scale user interaction
helped users improve their overall task performance. It also found that users tended to utilize
different multi-scale user interfaces to complete different kinds of tasks.

For game design planning education, we researched step by step learning methodstoryline
setting to game content evaluation. In this process, we developed 'Content Generated Tree'
educational model applying the segmentation, classification, and prediction process of decision tree
theory. This model is divided into the trunk stage as a story setting, the node generation stage as
a content branch, and the conformity assessment. In the node generation stage, there are 'Game
Theme' stage for determining the overall direction of the game, 'Interest Element' stage for finding
the unique joy of the development game, and 'Game Format' stage for setting the visualization
direction. The learner creates several game content combinations through content branching, and
evaluates each content combination value. The education model was applied to 19 teams, and the
efficiency of the step by step learning process was confirmed.

For game design planning education, we researched step by step learning methodstoryline
setting to game content evaluation. In this process, we developed 'Content Generated Tree'
educational model applying the segmentation, classification, and prediction process of decision tree
theory. This model is divided into the trunk stage as a story setting, the node generation stage as
a content branch, and the conformity assessment. In the node generation stage, there are 'Game
Theme' stage for determining the overall direction of the game, 'Interest Element' stage for finding
the unique joy of the development game, and 'Game Format' stage for setting the visualization
direction. The learner creates several game content combinations through content branching, and
evaluates each content combination value. The education model was applied to 19 teams, and the
efficiency of the step by step learning process was confirmed.

This paper introduces the implementation of client and server for the FPS game which adopts the control
element of the racing genre. Game playability is enhanced by combining the users interaction, shooting
elements of FPS and the car control element of racing game. User’s tank can move along the slope and the
client can stably synchronize with server independently of hardware. By deploying the neutral monster,
game excitement is raised. Game server is designed using the IOCP socket to provide the multiplayer game.
The proposed game is implemented, and shows the effectiveness of the combining method.

This paper introduces the implementation of client and server for the FPS game which adopts the control
element of the racing genre. Game playability is enhanced by combining the users interaction, shooting
elements of FPS and the car control element of racing game. User’s tank can move along the slope and the
client can stably synchronize with server independently of hardware. By deploying the neutral monster,
game excitement is raised. Game server is designed using the IOCP socket to provide the multiplayer game.
The proposed game is implemented, and shows the effectiveness of the combining method.

In 1970, Masahiro Mori proposed the uncanny valley concept. At the time, the proposal aroused little
reaction, However, the uncanny valley is just a hypothesis, not a strict theory. Many subsequent studies
have shown that it is true that the uncanny valley is reasonable; With the development of game consoles and
personal computers, uncanny valley in video games will become more and more common. but, for the time
being, special introductions and game related research on the uncanny valley are still very rare. In this
paper, with Masahiro Mori’s uncanny valley as a benchmark and using the evolution of Tomb Raider’s
Lara Croft over 20 years as an example, we analyze the significance of the uncanny valley in the design of
realistic adventure game characterssuch aspects as facial expression and texture. It's not easy to see
the development of the technology in the game by using this approach. And it makes game makers
determinate the scope of uncanny valley more exactly to made better games.

In 1970, Masahiro Mori proposed the uncanny valley concept. At the time, the proposal aroused little
reaction, However, the uncanny valley is just a hypothesis, not a strict theory. Many subsequent studies
have shown that it is true that the uncanny valley is reasonable; With the development of game consoles and
personal computers, uncanny valley in video games will become more and more common. but, for the time
being, special introductions and game related research on the uncanny valley are still very rare. In this
paper, with Masahiro Mori’s uncanny valley as a benchmark and using the evolution of Tomb Raider’s
Lara Croft over 20 years as an example, we analyze the significance of the uncanny valley in the design of
realistic adventure game characterssuch aspects as facial expression and texture. It's not easy to see
the development of the technology in the game by using this approach. And it makes game makers
determinate the scope of uncanny valley more exactly to made better games.

Recently, many studies on Mixed Reality have been going on. Virtual Reality can only show virtual s,
but Mixed Reality combines real-world information to open up more possibilities. In the game, interaction
between the player and others is an essential factor, and games based on Virtual RealityMixed Reality
using HMD are no exception. For this, we implemented a Mixed Reality System for the Behavior-like
Interaction using an additional device to HMD that supports Virtual Reality. This paper presents the
theoretical content, the overall contents of the implemented Mixed Reality System, the experiment, the
evaluation, and the results.

Recently, many studies on Mixed Reality have been going on. Virtual Reality can only show virtual s,
but Mixed Reality combines real-world information to open up more possibilities. In the game, interaction
between the player and others is an essential factor, and games based on Virtual RealityMixed Reality
using HMD are no exception. For this, we implemented a Mixed Reality System for the Behavior-like
Interaction using an additional device to HMD that supports Virtual Reality. This paper presents the
theoretical content, the overall contents of the implemented Mixed Reality System, the experiment, the
evaluation, and the results.

With the development of augmented reality technology, various related technologies and content production
are rapidly increasing. The virtual space in the augmented reality is achieved through the synthesis of the
virtual environment composed of 3D models with the background of the real world video. The
harmonization of these two environments is an important factor for users enjoying augmented reality
contents. In this paper, we introduce a video abstraction technique to solve the problem of mismatch
between input video and 3D virtual s, which is one of the points to be improved in augmented reality.
In particular, we created a new virtual space by applying video-based cartoon and pencil stylization to
transform the AR background.

With the development of augmented reality technology, various related technologies and content production
are rapidly increasing. The virtual space in the augmented reality is achieved through the synthesis of the
virtual environment composed of 3D models with the background of the real world video. The
harmonization of these two environments is an important factor for users enjoying augmented reality
contents. In this paper, we introduce a video abstraction technique to solve the problem of mismatch
between input video and 3D virtual s, which is one of the points to be improved in augmented reality.
In particular, we created a new virtual space by applying video-based cartoon and pencil stylization to
transform the AR background.

These days, contents is not only exists as one genre, but also repeatedly develop to other genre by affect or
fusion and developing another contents. This means entertainment industry enters overall OSMU(One
Source Multi Use) age. With development of the CG technology filming of the game is actively
progressing. Like “Tomb Raider”,“Resident evil”, There is some successful filming of the game case. In
other side, there is many fail case of filming of the game also exist.
In this paper we study game element analysis by method of film element analysis for making interactive
movie of the game. For this study we using the actantial model of Algirdas Julien Greimas and the five
element of film of Linda Seger. With two method, we study modeling interactive movie event flow, to be
helpful for film development and possibility suggest through this study result.

These days, contents is not only exists as one genre, but also repeatedly develop to other genre by affect or
fusion and developing another contents. This means entertainment industry enters overall OSMU(One
Source Multi Use) age. With development of the CG technology filming of the game is actively
progressing. Like “Tomb Raider”,“Resident evil”, There is some successful filming of the game case. In
other side, there is many fail case of filming of the game also exist.
In this paper we study game element analysis by method of film element analysis for making interactive
movie of the game. For this study we using the actantial model of Algirdas Julien Greimas and the five
element of film of Linda Seger. With two method, we study modeling interactive movie event flow, to be
helpful for film development and possibility suggest through this study result.

Media contents on historical sources rising in popularity make the people have an interest in the
historically themed video games. Historically themed video games are studiedpractical point
of view, just like edutainment, but studies as an entertainment aren't enough. Historically themed
video games have lots of advantage, historical fact telling, fictitious entertainment and easy
accessibility. There is a need for broad vision to merit of historically themed video games. In this
study, we present new analysis tool which is consisted with three axis, time, connection and reality
for historical simulation video game. Example games are investigated on entertainment,
development, education side with this tool.

Media contents on historical sources rising in popularity make the people have an interest in the
historically themed video games. Historically themed video games are studiedpractical point
of view, just like edutainment, but studies as an entertainment aren't enough. Historically themed
video games have lots of advantage, historical fact telling, fictitious entertainment and easy
accessibility. There is a need for broad vision to merit of historically themed video games. In this
study, we present new analysis tool which is consisted with three axis, time, connection and reality
for historical simulation video game. Example games are investigated on entertainment,
development, education side with this tool.

Compared to the early 2000s, the number of tourists in Korea has increased significantly. Approximately 40
million tourists visit Korea each year. In line with this trend, various technologies for developing tourism
content have reached a very high level. Therefore, adding experience-oriented AR (Augmented Reality)
game based on LBS (Location-Based System) to existing tourist contents will create a new tourism content
platform that can give new experience to tourists . This paper proposes a tourism contents platform based
on Suwon Hwaseong Fortress which can give such a new experience.

Compared to the early 2000s, the number of tourists in Korea has increased significantly. Approximately 40
million tourists visit Korea each year. In line with this trend, various technologies for developing tourism
content have reached a very high level. Therefore, adding experience-oriented AR (Augmented Reality)
game based on LBS (Location-Based System) to existing tourist contents will create a new tourism content
platform that can give new experience to tourists . This paper proposes a tourism contents platform based
on Suwon Hwaseong Fortress which can give such a new experience.

The virtual reality HMD is developed to enable interaction with the outside by combining cameras in the
front, and will provide a 360 degree full-body tracking virtual reality game environment so that it can freely
roam the room-scale area without any complicated line. However, compared to the development of devices,
the actual space in which to operate it is still limited, which will be the biggest obstacle to freely exploring a
wide range of virtual reality environments. In order to solve this problem, Redirected Walking, which
allows people to explore the wide virtual reality space by tricking their cognitive ability, is under study, but
there are unresolved problems and there is a permanent safety risk of virtual reality. In this paper, we
propose an enhanced redirected walking that uses tof camera to control variables that lead to other
directions before they can not go forward in the real world, and to visualize real spatial information in
virtual reality game environment to cope with walls, obstacles,sudden risk factors.

The virtual reality HMD is developed to enable interaction with the outside by combining cameras in the
front, and will provide a 360 degree full-body tracking virtual reality game environment so that it can freely
roam the room-scale area without any complicated line. However, compared to the development of devices,
the actual space in which to operate it is still limited, which will be the biggest obstacle to freely exploring a
wide range of virtual reality environments. In order to solve this problem, Redirected Walking, which
allows people to explore the wide virtual reality space by tricking their cognitive ability, is under study, but
there are unresolved problems and there is a permanent safety risk of virtual reality. In this paper, we
propose an enhanced redirected walking that uses tof camera to control variables that lead to other
directions before they can not go forward in the real world, and to visualize real spatial information in
virtual reality game environment to cope with walls, obstacles,sudden risk factors.

The game industry, which has been rapidly developing these days in Korean society, is a socially debated
issue for the fact that some games are allegedly likely to stir up a speculative drive in people. Among
others, the speculativeness of games has been paid more attention by game developers because of the
prevalent belief in Korean society that basically games are gambling, which has been more consolidated by
reported illegal activities committed by some users of illegal games. More disturbingly, if regulations are
put on the act of gaming, not on some speculative games, the nature of games could be distorted and an
unexpected adverse effect would arise as a result. This study examines the appropriateness and the effect of
the current game regulationa perspective of game developers and investigates how the regulation and
its operation affect the change of the nature of games. The findings of this study are expected to bring about
the deeper exploration of the effect of game regulation and broaden the view on the Korean game industry.

The game industry, which has been rapidly developing these days in Korean society, is a socially debated
issue for the fact that some games are allegedly likely to stir up a speculative drive in people. Among
others, the speculativeness of games has been paid more attention by game developers because of the
prevalent belief in Korean society that basically games are gambling, which has been more consolidated by
reported illegal activities committed by some users of illegal games. More disturbingly, if regulations are
put on the act of gaming, not on some speculative games, the nature of games could be distorted and an
unexpected adverse effect would arise as a result. This study examines the appropriateness and the effect of
the current game regulationa perspective of game developers and investigates how the regulation and
its operation affect the change of the nature of games. The findings of this study are expected to bring about
the deeper exploration of the effect of game regulation and broaden the view on the Korean game industry.

According to a survey conducted in the United States of America, 43% of mobile-device-use by
children aged between zero and eight years old falls into the sector of educational games.
However, that percentage rises to 39% and 51% among children aged 2-4 and 5-8 years,
respectively. The question, therefore, is: how can numerous mobile educational games attract the
attention of children? Children are attracted to educational games because of various factors
including vivid characters and enticing colors, among other elements. This research paper focuses
on analyzing the character examples in eight children’s mobile educational games with differently
gendered characters. The top elements considered in the eight games include the top-selling games,
color distribution, and the hue frequency of every character to obtain the results. The research
paper also discusses the characteristics of children’s mobile educational games for different gender
characters and the methods of possibilities and considerations for effective design.

According to a survey conducted in the United States of America, 43% of mobile-device-use by
children aged between zero and eight years old falls into the sector of educational games.
However, that percentage rises to 39% and 51% among children aged 2-4 and 5-8 years,
respectively. The question, therefore, is: how can numerous mobile educational games attract the
attention of children? Children are attracted to educational games because of various factors
including vivid characters and enticing colors, among other elements. This research paper focuses
on analyzing the character examples in eight children’s mobile educational games with differently
gendered characters. The top elements considered in the eight games include the top-selling games,
color distribution, and the hue frequency of every character to obtain the results. The research
paper also discusses the characteristics of children’s mobile educational games for different gender
characters and the methods of possibilities and considerations for effective design.

This study was intended to develop a group art therapy program to reduce adolescents’ smart phone
addiction tendency. Particularly, this study aim to provide subjects, contents and activities using the
approach of a group art therapy based on person centered counseling. The program was designed to
intervent to solve the problems such as relationship based on unsecure attachment, negative emotions like
depression and anxiety, low self-efficacy, and impulsiveness and lack of self-regulation.

This study was intended to develop a group art therapy program to reduce adolescents’ smart phone
addiction tendency. Particularly, this study aim to provide subjects, contents and activities using the
approach of a group art therapy based on person centered counseling. The program was designed to
intervent to solve the problems such as relationship based on unsecure attachment, negative emotions like
depression and anxiety, low self-efficacy, and impulsiveness and lack of self-regulation.

Leap Motion is a virtual reality controller which allows users to interact with the virtual s using their
bare hands. However, the controller only allows the detection of hands up to 60cmthe sensor, which
means that users cannot interact with virtual s outside the same range in the virtual space. In this
paper, we propose a new interaction method to overcome the limitation of the manipulation range. The
movement of virtual hands in the virtual space is accelerated by the velocity of the hand movement and the
range of the reachable virtual space is expended to the current view of the virtual space. Experimental
results show that users can manipulate long-distance s in a coherent and convenient way.

Leap Motion is a virtual reality controller which allows users to interact with the virtual s using their
bare hands. However, the controller only allows the detection of hands up to 60cmthe sensor, which
means that users cannot interact with virtual s outside the same range in the virtual space. In this
paper, we propose a new interaction method to overcome the limitation of the manipulation range. The
movement of virtual hands in the virtual space is accelerated by the velocity of the hand movement and the
range of the reachable virtual space is expended to the current view of the virtual space. Experimental
results show that users can manipulate long-distance s in a coherent and convenient way.

Virtual reality is one of the most popular technologies in the fourth industrial revolution. We suggest that
virtual training using virtual reality would be more effective than existing training. Development of virtual
trolley simulation content was done through Unreal Engine. Through the production of virtual reality
content, we had developed a more advanced simulation development environment.

Virtual reality is one of the most popular technologies in the fourth industrial revolution. We suggest that
virtual training using virtual reality would be more effective than existing training. Development of virtual
trolley simulation content was done through Unreal Engine. Through the production of virtual reality
content, we had developed a more advanced simulation development environment.

The purpose of this study is to examine location-based gamesthe post-human point of view, which is
a combination of human and technology in digital games, devoid of media-oriented discussion of mobile
media. In a location based game, there is a hybrid play aspect of topological character and player-driven
self-generated play in a space where reality and virtual overlap. This is based on post-human characteristics
of the player's spatial-temporal replication through the ubiquity of mobile technology. Through this, digital
game has meaning as a game action that can be combined with various actors rather than a material .

The purpose of this study is to examine location-based gamesthe post-human point of view, which is
a combination of human and technology in digital games, devoid of media-oriented discussion of mobile
media. In a location based game, there is a hybrid play aspect of topological character and player-driven
self-generated play in a space where reality and virtual overlap. This is based on post-human characteristics
of the player's spatial-temporal replication through the ubiquity of mobile technology. Through this, digital
game has meaning as a game action that can be combined with various actors rather than a material .

This study was to design a game in which physical space and virtual space are mixed, and examine whether
the game players could recognize the location and the building information encountered through game play.
To do this, after creating a game with a mixture of physical space and virtual space, we conducted two
experiments with college students. As a result, we found that players learned the spatial location and
building information by playing the game made for this study, and found that the exchange and interaction
between players’ acts as part of the game were able to change game play itself.

This study was to design a game in which physical space and virtual space are mixed, and examine whether
the game players could recognize the location and the building information encountered through game play.
To do this, after creating a game with a mixture of physical space and virtual space, we conducted two
experiments with college students. As a result, we found that players learned the spatial location and
building information by playing the game made for this study, and found that the exchange and interaction
between players’ acts as part of the game were able to change game play itself.

The purpose of this study is to classify the types of Room-Escape games based on play and to
derive unique narrative conventions of Room-Escape games that appear on various platforms such
as online, offline, and virtual reality. The Room-Escape game sets up the 'room' and strengthens
the magic circle, allowing the player to experience the 'insideness' of the place. It also applies the
plot of 'the riddle' to induces players to solve puzzles and quests, as well as to infer narrative
satellite events and probabilities. The Room-Escape game is a unique game genre that appears
through the integration of game and narrative. It is classified into Escape-purpose-oriented type that
emphasizes interaction with s and rules, and Escape-process-oriented type which shows the
enhancement of narrative features. The Room-Escape game is a game that reflects a contemporary
aspect of Korean modern society desiring to escapedaily life and return at the same time.

The purpose of this study is to classify the types of Room-Escape games based on play and to
derive unique narrative conventions of Room-Escape games that appear on various platforms such
as online, offline, and virtual reality. The Room-Escape game sets up the 'room' and strengthens
the magic circle, allowing the player to experience the 'insideness' of the place. It also applies the
plot of 'the riddle' to induces players to solve puzzles and quests, as well as to infer narrative
satellite events and probabilities. The Room-Escape game is a unique game genre that appears
through the integration of game and narrative. It is classified into Escape-purpose-oriented type that
emphasizes interaction with s and rules, and Escape-process-oriented type which shows the
enhancement of narrative features. The Room-Escape game is a game that reflects a contemporary
aspect of Korean modern society desiring to escapedaily life and return at the same time.